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The Clam-Bake


by Ted Lumley

Mighty logs arranged in arcuate pew

Point, by their implied radius of curvature

To an invisible pulpit in the heart of the bay


From whence the giant that put them there silently speaks


In richly non-monotonous quasi-repetition

The salty bay waters slide over low-relief bar-sands

Allowing the disembarking of their nomadic passengers

Then sliding back to open up enchanting fields of feet-tickling

wetlands


Into these neither-nor (and/and) wetlands I ventured as a boy

Fascinated in being showered to shoulder height

By frightened clams that buried themselves deep in sand

Communally triggered into squirting flight by the passing thunder of

children's feet


The clams knew before we did why they should fear us

As soon, we were digging, steaming and devouring them

The gathering of sticks for beachfires and seaweed for the steaming

Soon preceded our hunter-gatherer forays in the intertidal wetlands


Those of us who shared these delights did not 'come together'

We came to the place of delights and found ourselves there together

We have 'in common' this awareness of attuning to the places of

delight

Like bikers 'in the zone' whose waves to one another signal just this

and no more


As Vico says, spontaneous, natural 'expression' precedes individual

'experience'

Communal expression comes before experience-directed prescription

'You are cordially invited to a clam-bake' it says on the printed

papers

No need to check out moon phases, just RSVP to 'close' this social

contract


Poetic wisdom derives from our attuned dancing in the delights of

nature

Conventional wisdom puts experience first, disabling spontaneous

expression

Our society inverts the natural order, putting social contract before

communal expression

Let the clam-bake happen, rejoice in the delight of it with whomever

else is drawn there

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