Mighty logs arranged in arcuate pew
Point, by their implied radius of curvature
To an invisible pulpit in the heart of the bay
From whence the giant that put them there silently speaks
In richly non-monotonous quasi-repetition
The salty bay waters slide over low-relief bar-sands
Allowing the disembarking of their nomadic passengers
Then sliding back to open up enchanting fields of feet-tickling
wetlands
Into these neither-nor (and/and) wetlands I ventured as a boy
Fascinated in being showered to shoulder height
By frightened clams that buried themselves deep in sand
Communally triggered into squirting flight by the passing thunder of
children's feet
The clams knew before we did why they should fear us
As soon, we were digging, steaming and devouring them
The gathering of sticks for beachfires and seaweed for the steaming
Soon preceded our hunter-gatherer forays in the intertidal wetlands
Those of us who shared these delights did not 'come together'
We came to the place of delights and found ourselves there together
We have 'in common' this awareness of attuning to the places of
delight
Like bikers 'in the zone' whose waves to one another signal just this
and no more
As Vico says, spontaneous, natural 'expression' precedes individual
'experience'
Communal expression comes before experience-directed prescription
'You are cordially invited to a clam-bake' it says on the printed
papers
No need to check out moon phases, just RSVP to 'close' this social
contract
Poetic wisdom derives from our attuned dancing in the delights of
nature
Conventional wisdom puts experience first, disabling spontaneous
expression
Our society inverts the natural order, putting social contract before
communal expression
Let the clam-bake happen, rejoice in the delight of it with whomever
else is drawn there
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