‘View from Anchorage’ (Oil painting on canvas, by Alan Rayner, 2001).
The clear perspective of explicit landscape features grounded within a fixed reference frame, is dwarfed by the implicit view taken in
from encircling flights of Snow Goose imagination, where cloud-dappled sky becomes summitless, snow-patched mountainside, far beyond the
peaks and troughs, light and shadow, of rational consciousness.
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